Sculptor Lino Alvarez, says that the landscape of Hill End is present in all of his work. “I’m not trying to show perspectives or sunrises or trees,” he says. “It’s the sense of the landscape that’s in my work.” As we pass through a thick bushel of banksia rose, the smell of fried onions wafts from the 1862 miners’ cottage where Alvarez has lived with his wife, Kim Deacon, since1997.
- Ariela Bard
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Sculptor Lino Alvarez, says that the landscape of Hill End is present in all of his work. “I’m not trying to show perspectives or sunrises or trees,” he says. “It’s the sense of the landscape that’s in my work.” As we pass through a thick bushel of banksia rose, the smell of fried onions wafts from the 1862 miners’ cottage where Alvarez has lived with his wife, Kim Deacon, since1997.
- Ariela Bard
Sculptor Lino Alvarez, says that the landscape of Hill End is present in all of his work. “I’m not trying to show perspectives or sunrises or trees,” he says. “It’s the sense of the landscape that’s in my work.” As we pass through a thick bushel of banksia rose, the smell of fried onions wafts from the 1862 miners’ cottage where Alvarez has lived with his wife, Kim Deacon, since1997.
- Ariela Bard
Sculptor Lino Alvarez, says that the landscape of Hill End is present in all of his work. “I’m not trying to show perspectives or sunrises or trees,” he says. “It’s the sense of the landscape that’s in my work.” As we pass through a thick bushel of banksia rose, the smell of fried onions wafts from the 1862 miners’ cottage where Alvarez has lived with his wife, Kim Deacon, since1997.
- Ariela Bard
Hill End
swill magazine