Sculptor Lino Alvarez, says that the landscape of Hill End is present in all of his work. “I’m not trying to show perspectives or sunrises or trees,” he says. “It’s the sense of the landscape that’s in my work.” As we pass through a thick bushel of banksia rose, the smell of fried onions wafts from the 1862 miners’ cottage where Alvarez has lived with his wife, Kim Deacon, since1997.
- Ariela Bard

Pin It

Pin It

Pin It

Pin It

Pin It

Pin It

Pin It

Pin It

Pin It

Pin It

Pin It

Pin It

Pin It

Pin It

Pin It

Pin It

Pin It

Pin It

Pin It

Pin It

Pin It

Pin It

Pin It

Pin It

Pin It

Pin It
Sculptor Lino Alvarez, says that the landscape of Hill End is present in all of his work. “I’m not trying to show perspectives or sunrises or trees,” he says. “It’s the sense of the landscape that’s in my work.” As we pass through a thick bushel of banksia rose, the smell of fried onions wafts from the 1862 miners’ cottage where Alvarez has lived with his wife, Kim Deacon, since1997.
- Ariela Bard
Sculptor Lino Alvarez, says that the landscape of Hill End is present in all of his work. “I’m not trying to show perspectives or sunrises or trees,” he says. “It’s the sense of the landscape that’s in my work.” As we pass through a thick bushel of banksia rose, the smell of fried onions wafts from the 1862 miners’ cottage where Alvarez has lived with his wife, Kim Deacon, since1997.
- Ariela Bard


























Sculptor Lino Alvarez, says that the landscape of Hill End is present in all of his work. “I’m not trying to show perspectives or sunrises or trees,” he says. “It’s the sense of the landscape that’s in my work.” As we pass through a thick bushel of banksia rose, the smell of fried onions wafts from the 1862 miners’ cottage where Alvarez has lived with his wife, Kim Deacon, since1997.
- Ariela Bard


























Hill End
swill magazine